Sigiriya is an ancient rock fortress also known as Lion’s rock found in the Matale district in Sri Lanka. Worldwide famous for its most intriguing irrigation systems and gardens plus its very own Sigiri frescoes, this large monument is a popular tourist attraction today. Because of its uniqueness and handy craftsmanship depicting the capabilities and advanced technology prevailed at that time, it was declared the 8th wonder in the world by UNESCO.
According to the chronicle Mahavamsa, Sigiriya was a castle complex built by king Kashyapa (AD 477 – 495) who seized the throne from his father King Dathusena with the help from Migara the royal army commander. Kashyapa was a son from a non royal consort and he fought with the rightful heir Prince Mugalan who fled to South India in seek of help. Fearing attack from Mugalan, King Kashyapa moved the capital from Anuradhapura to Sigiriya which was formerly a Buddhist monastery. He build a well planned and well secured castle inside this rock and surrounded by it is 3 moats one with hidden spikes it is said.
Kashyapa was defeated in 495 AD by Moggallana, who moved the capital again to Anuradhapura. Sigiriya was then turned back into a Buddhist monastery, which lasted until the thirteenth or fourteenth century. After this period, no records are found on Sigiriya until the sixteenth and seventeenth centuries, when it was used as an outpost of the Kingdom of Kandy. When the kingdom ended, it was abandoned again.
Alternative stories have the primary builder of Sigiriya as King Dhatusena, with Kashyapa finishing the work in honour of his father. Still other stories have Kashyapa as a playboy king, with Sigiriya a pleasure palace. Even Kashyapa's eventual fate is mutable. In some versions he is assassinated by poison administered by a concubine. In others he cuts his own throat when isolated in his final battle. Still further interpretations have the site as the work of a Buddhist community, with no military function at all. This site may have been important in the competition between the Mahayana and Theravada Buddhist traditions in ancient Sri Lanka.
The Sigiriya rock is a hardened magma plug from an extinct and long-eroded volcano. It stands high above the surrounding plain, visible for miles in all directions. The rock rests on a steep mound that rises abruptly from the flat plain surrounding it. The rock itself rises 370 m (1,214 ft) above sea level and is sheer on all sides, in many places overhanging the base. It is elliptical in plan and has a flat top that slopes gradually along the long axis of the ellipse. The earliest evidence of human habitation at Sigiriya was found from the Aligala rock shelter to the east of Sigiriya rock, indicating that the area was occupied nearly five thousand years ago during the mesolithic period.
Buddhist monastic settlements were established in the western and northern slopes of the boulder-strewn hills surrounding the Sigiriya rock, during the third century B.C. Several rock shelters or caves had been created during this period. These shelters were made under large boulders, with carved drip ledges around the cave mouths. Rock inscriptions are carved near the drip ledges on many of the shelters, recording the donation of the shelters to the Buddhist monastic order as residences. These have been made within the period between the third century B.C and the first century CE.
The Sigiriya site has the remains of an upper palace sited on the flat top of the rock, a mid-level terrace that includes the Lion Gate and the mirror wall with its frescoes, the lower palace that clings to the slopes below the rock, and the moats, walls and gardens that extend for some hundreds of metres out from the base of the rock. This is the site if both palace and fortress. Despite its age, the splendour of the palace still furnishes a stunning insight into the ingenuity and creativity of its builders. The upper palace on the top of the rock includes cisterns cut into the rock that still retain water. The moats and walls that surround the lower palace are still exquisitely beautiful.
Sigiriya is considered one of the most important urban planning sites of the first millennium, and the site plan is considered very elaborate and imaginative. The plan combined concepts of symmetry and asymmetry to intentionally interlock the man-made geometrical and natural forms of the surroundings. On the west side of the rock lies a park for the royals, laid out on a symmetrical plan; the park contains water retaining structures, including sophisticated surface/subsurface hydraulic systems, some of which are working even today. The south contains a man made reservoir, these were extensively used from previous capital of the dry zone of Sri Lanka. Five gates were placed at entrances. The more elaborate western gate is thought to be reserved for the royals.
John Still in 1907 suggested, "The whole face of the hill appears to have been a gigantic picture gallery... the largest picture in the world perhaps". The paintings would have covered most of the western face of the rock, covering an area 140 metres long and 40 metres high. There are references in the graffiti to 500 ladies in these paintings. However, many more are lost forever, having been wiped out when the Palace once more became a Monastery so that they would not disturb meditation. Some more frescos different from the popular collection can be seen elsewhere on the rock surface, for example on the surface of the location called the "Cobra Hood Cave".
Although the frescoes are classified as in the Anuradhapura period, the painting style is considered unique and the line and style of application of the paintings differing from Anuradhapura paintings. The lines are painted in a form which enhances the sense of voluminousness of figures. The paint has been applied in sweeping strokes, using more pressure on one side, giving the effect of a deeper colour tone towards the edge. Other paintings of the Anuradhapura period contain similar approaches to painting, but do not have the sketchy lines of the Sigiriya style, having a distinct artists' boundary line. These ladies in the pictures below are known as the daughters of king Kashyapa. He painted them in gold and black color so they can be remembered. The King was very fond of his daughters. That's why he painted their portraits on the Sigiriya cave walls.
Another important structure we find here is the mirror wall. Originally this wall was so well polished that the king could see himself whilst he walked alongside it. Made of a kind of porcelain, the wall is now partially covered with verses scribbled by visitors to the rock. Well preserved, the mirror wall has verses dating from the 8th century. People of all types wrote on the wall, on varying subjects such as love, irony, and experiences of all sorts. Further writing on the mirror wall has now been banned.
The Gardens of the Sigiriya city are one of the most important aspects of the site as it is among the oldest landscaped gardens in the world. The gardens are divided into three distinct but linked forms; water gardens, Cave and boulder gardens, and terraced gardens. The water gardens can be seen in the central section of the western precinct. Three principal gardens are found here. The first garden consists of an island surrounded by water. It is connected to the main precinct using four causeways, with gateways placed at the head of each causeway. This garden is built according to an ancient garden form known as char bhag, and is one of the oldest surviving models of this form.
The second contains two long, deep pools set on either side of the path. Two shallow, serpentine streams lead to these pools. Fountains made of circular limestone plates are placed here. Underground water conduits supply water to these fountains which are still functional, especially during the rainy season. Two large islands are located on either side of the second water garden. Summer palaces are built on the flattened surfaces of these islands. Two more islands are located further to the north and the south. These islands are built in a similar manner to the Island in the first water garden.
The third garden is situated on a higher level than the other two. It contains a large, octagonal pool with a raised podium on its northeast corner. The large brick and stone wall of the citadel is on the eastern edge of this garden. The water gardens are built symmetrically on an east-west axis. They are connected with the outer moat on the west and the large artificial lake to the south of the Sigiriya rock. All the pools are also interlinked using an underground conduit network fed by the lake, and connected to the moats. A miniature water garden is located to the west of the first water garden, consisting several small pools and water courses. This recently discovered smaller garden appears to have been built after the Kashyapan period, possibly between the tenth and thirteenth centuries.
The boulder garden consists several large boulders linked with winding pathways. The boulder gardens extend from the northern slopes to the southern slopes of the hills at the foot of Sigiriya rock. Most of these boulders had a building or pavilion upon them. There are cuttings on these boulders that were used as footings for brick walls and beams.
The audience hall of the king was situated in the boulder garden, the remains of which are seen on the flattened and polished summit of a large boulder. There is also a five meter long granite throne in this hall. The throne is carved from the boulder itself, and is not separated from it. Another notable feature in the boulder garden is the Cistern rock, named after a large, carved cistern on top of the rock. A large archway, created by two boulders, provides access to the terraced gardens.
The terraced gardens are formed from the natural hill at the base of the Sigiriya rock. A series of terraces, each rising above the other, connect the pathways of the boulder garden to the staircases on the rock. These have been created by the construction of brick walls, and are located in a roughly concentric plan around the rock. The path through the terraced gardens is formed by a limestone staircase. From this staircase, there is a covered path on the side of the rock, leading to the uppermost terrace where the lion staircase is situated.
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